Archive for category Short Fiction

The Year’s Best Science Fiction and Fantasy for Teens, edited by Jane Yolen and Patrick Nielsen Hayden (Tor, 2005)

When I first stumbled across this particular anthology, I couldn’t resist it. After all, I love YA science fiction and fantasy, and I love short fiction. So finding a collection which combined both those loves seemed tailor-made for me. I was definitely interested to see what stories passed the editors’ high standards, and how they stacked up against what I read – or didn’t read –
in the past year. I was happy to see that while some of the stories gathered within were familiar, just as many came from sources I missed. The end result: an interesting mix of young adult short fiction.

First up is Kelly Link’s “The Faery Handbag,” which is an offbeat tale of a magical handbag which contains an entire world within its depths. Open it, and discover great wonders, or perhaps surprising horrors; it’s all in how you look at the situation. S.M. Stirling’s “Blood Wolf” is a welcome return to Stirling’s Nantucket series, in which the island of Nantucket, as well as a Coast Guard training vessel, were transported back in time to the Bronze Age. A generation after that initial transition, the world is a vastly different place, with 20th Century philosophies, ideals and techniques mixing with Bronze Age civilizations. Now a young man has ventured forth from his tribe to experience the fabled magic of Nantucket, where he promptly runs afoul of strange people and stranger customs. Is there a place for him here, or will he fare poorly in the new world?

Lynette Abbey’s “Sleeping Dragons” is an interestingly multilayered tale about family, mythology, and of course, dragons. Very little is as it appears on the surface, and it’s up to a girl to protect her little brother from the destiny that awaits him. Garth Nix gives us “Endings,” a quick story about a man with two daughters, two swords, and two endings to his tale. Everything is interconnected, in the end.

David Gerrold’s “Dancer in the Dark” is, on the surface, about a boy sent away from everything he’s known to live in a strange new place. Underneath, there’s a lot more going on involving light, dark, truth, and beauty. Adam Stemple’s story, “A Piece of Flesh” is a traditional changeling story, a fairy tale in which a boy recognizes the unnatural being which has replaced his infant sibling and has to do something about it. His success, however, is not going to be an easily-gained thing.
Also in the changeling mold is Delia Sherman’s “CATNYP,” about a young woman who’s grown up in the New York -between the real world and Faery. Trapped between worlds and as restless as any teenager, she embarks upon something of a quest to find her true place, and discovers a whole lot more, including the enchanted lion of the New York Public Library. For a true blast from the past, the editors have included a classic: Rudyard Kipling’s “They.”

Other stories include Theodora Goss’ “The Wings of Meister Wilhelm,” Leah Bobet’s “Displaced Persons,” and one of the best stories of the year in any age group, “Sergeant Chip,” by Bradley Denton. The last is about an overly-intelligent, highly-trained military canine and the lengths to which he has to go in order to fulfill his orders and protect his companions.

Helpfully, the editors also include plenty of “If you like this tale, then try…” in their introductions to each story, thus giving the unfulfilled reader plenty of directions in which to turn their attentions. What can I say? This is bound to be the first in a yearly series, and that makes me very happy. The selection of stories here is excellent, providing a wonderful sampling of the wide range of fiction aimed (directly or indirectly) at the young adult audience, and there’s plenty to please in here. Previously, I’d praised Patrick Nielson Hayden’s other YA anthologies for filling a valuable, much-needed niche; The Year’s Best Science Fiction and Fantasy for Teens is another fine addition to that particular bookshelf, and a logical extension of the “Year’s Best…” trend in general. I’m already looking forward to next year.

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Swan Sister, edited by Terri Windling and Ellen Datlow (Simon and Schuster, 2003)

In the same vein as Windling and Datlow’s A Wolf At The Door, Swan Sister is another collection of fairy tales retold for young adults, with stories from some of the most talented authors in the field, including a number of those who’ve previously contributed to their series of novel-length retold fairy tales. As always with anything from Datlow and Windling, this is a high-quality anthology that sticks to theme quite nicely. Naturally, there are a lot of familiar elements in each story, but the authors all find something new to say about the material.

Jane Yolen tackles the Green Man myth, while Nina Kiriki Hoffman explores Bluebeard from a new angle, where the true horror lies not with Bluebeard, but with the secret of his strength and power. Will Shetterly retells Little Red Riding Hood with a modern-day urban flair to it, and Lois Metzger reinterprets the Rapunzel story with surprising sensitivity, giving it a new relevance in today’s world of extended and broken families. Bruce Coville’s look at Tom Thumb speaks volumes about the uses and misuses of genetic engineering, and Neil Gaiman turns in a poetic exploration of Scheharazade and The Arabian Nights that delves into necessity as the mother of inspiration. These are just half of the fairy tales that lurk within the pages of Swan Sister.

I’ve never been disappointed with the Datlow/Windling collections, whether they’re aimed at adults or young adults. They always prove that fairy tales are universal, always open to retelling, and always relevant in their own way. This is good stuff, and any fairy tale fan would do well to add this to their collection.

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New Skies, edited by Patrick Nielsen Hayden (Tor, 2003)

From Tor comes this reprint anthology, containing seventeen young adult-aimed science fiction stories published within the last two decades. It’s an odd mix, eclectic and almost intellectual in natural, spanning the variety of talent and style. Philip K Dick is here, as are Orson Scott Card, and Kim Stanley Robinson, Greg Bear, Steven Gould, Will Shetterly, Jane Yolen, and Spider Robinson, and more still. For the most part, these are authors you won’t have seen in the Young Adult section of the bookstores; they either don’t write short stories very often, or don’t aim for young adults, or are too unrepentantly science fiction to make the break out of one section and into the more catch-all section of the store aimed at the teen audience. On the other hand, this means that even the most voracious of readers is bound to find stories they’ve overlooked, and authors they’ve never considered before. New Skies may be even “your mileage may vary” more than most anthologies due to the wide variety of writing styles and authorial voices represented, but by that same token, it’s definitely worth looking at. There are, in the grand scheme of things, not enough anthologies aimed at the young adult sf/fantasy reader, so this comes as a welcome offering.

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Firebirds, edited by Sharyn November (Firebird Books, 2003)

In January 2002, Firebird Books was launched, an imprint specifically devoted to young adult and childrens’ fantasy and science fiction, the very same material this column covers. In that short space of time, they’ve released dozens of reprints and originals from some of the best names in the business, stamping their logo on everything from Charles de Lint’s Riddle of the Wren to Robin McKinley’s The Blue Sword, to William Sleator’s Interstellar Pig. Now, however, Firebird turns its attention to short stories with this extraordinary collection of all-new material from seventeen A-List creators. Notable or familiar names include Diana Wynne Jones’s “Little Dot,” Laurel Winter’s “The Flying Woman,” Lloyd Alexander’s “Max Mondrosch,”and Patricia McKillip’s “Byndley.” Of special interest is the contribution from Emma Bull, a retelling of the ballad “Black Fox” accompanied with full comic illustrations by famed artist Charles Vess. With other contributors including Nancy Farmer, Nina Kiriki Hoffman, Delia Sherman, and Garth Nix, it’s a roundup of some excellent writers, with stories that range from the fantastic to the poignant, or even the subtly comic, such as Megan Whalen Turner’s “The Baby in the Night Deposit Box.”
I was up late sampling new offerings from the authors I grew up with, and rediscovering ones I’d almost forgotten. As with all anthologies, there’s enough to appeal to everyone, but not all stories will appeal to every reader. However, it’s rare you’ll get this much quality in one place. Firebirds isn’t just recommended, it’s practically essential reading for people who love this genre.

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The Eternal Kiss, edited by Trisha Telep (RP Teens, 2009)

In this all-new anthology of vampire stories, fourteen authors explore the dangerous relationship between blood and desire, looking at how the romanticized undead interact with their victims, prey, and lovers. Among the stronger stories are Maria Snyder’s “Sword Point,” Holly Black’s “The Coldest Girl in Coldtown,” and Libba Bray’s “The Thirteenth Step.” Rachel Caine’s “All Hallows” offers another entry in her Morganville Vampires series, and Cecil Castellucci’s “Wet Teeth” is bound to leave readers somewhat disquieted. “Passing,” by Nancy Holder and Debbie Viguie, feels like the start of something larger, as does Dina James’ “All Wounds.” With authors such as Cassandra Clare, Kelley Armstrong, and Sarah Rees Brennan contributing, there’s plenty to appeal to vampire fans, especially the Twilight crowd. There’s no real weak link in this anthology, and it’s more enjoyable than not.

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Missing Absolute Magnitude Reviews

The following reviews ran in Absolute Magnitude issues #14 (Summer 2000) and #15 (Spring 2001), and currently exist only in print format.  What follows is a very brief roundup to serve until they can be retyped.

Past Lives, Present Tense, edited by Elizabeth Ann Scarborough (Ace, 2001) – Fifteen stories which revolve around the concept of downloading the personalities, thoughts, memories and feelings of the deceased into the living.  Normally, I’d expect to gloss over two or three stories in an anthology of this size, just going by averages of quality and subject matter.  Here, I didn’t skip a one.  They range in tone, from introspective to humorous to deadly serious, but they all rate high on the quality scale.  Hughly recommended.

Valor’s Choice, by Tanya Huff (DAW , 2000) – First in the military SF series featuring Staff Sergeant Torin Kerr, with plot elements inspired by the Battle of Rorke’s Drift.  An attention-grabbing blend of space opera and military science fiction, with crisp, engaging writing and memorable characters, it delivers a satisfying story, though lacks a certain oomph when considered as a whole.

Worlds Vast and Various, by Gregory Benford (Avon/Eos, 2000) – The third collection of Benford’s short fiction, covering several decades.  Intelligent, provocative science fiction, heavy on the science and sophistication, it’s a fine introduction to Benford for the uninitiated and a satisfying treat for those who are already fans.

By Force of Arms, by William C. Dietz (Ace,  2000) – 4th in Dietz’s Legion of the Damned military SF series. Though it fails as a suitable entry point for new readers, it’s nonetheless keenly-plotted and energetic, maintaining a sense of urgency until the very end.

King Rat, by China Mieville (Tor, 2000) – Debut novel from Mieville, in which a young man learns of his heritage as a prince of the ratfolk and heir to King Rat’s throne.  Urban fantasy set in London.  It’s a frantic, kinetic, paranoid Hong Kong exploration of our darker corners, evocative of the gritty, hard-edged end of the century feel that’s risen of late.

The Stainless Steel Rat Joins the Circus, by Harry Harrison (Tor,  1999) – 10th adventure of the notorious Stainless Steel Rata, AKA Slippery Jim DiGriz, con man and thief turned reluctant spy/secret agent.  Good as far as humorous SF goes, but a letdown compared to the brilliance of earlier entries in the series.

The Year’s Best SF 5, edited by David G. Hartwell (Avon/Eos, 2000) – Over two dozen stories representing the best short fiction published in 1998-1999, including Michael Swanwick’s “Ancient Engines” and Terry Bisson’s “Macs.”

Partners in Necessity and Plan B, by Sharon Lee and Steve Miller (Meisha Merlin, 2000 and 1999) – Covering the first four books in the Liaden series (Conflict of Honors, Agent of Change, Carpe Diem and Plan B.  Space opera meets romantic science fiction/fantasy, with plenty of intrigue, conflict, adventure, and beautiful language.  Published by Meisha Merlin, then reissued by Ace, then picked up by Baen.   One of my favorite SF series.

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Redshift, edited by Al Sarrantonio (Roc, 2001)

Inspired by Dangerous Visions, and driven by the same goal, to deliver “cutting edge” original science fiction, Redshift bills itself as “Extreme Visions of Speculative Fiction.” What happens when you mix numerous Hugo, Nebula, World Fantasy, Bram Stoker and Joseph Campell Award winning authors? You get an intensive, impressive volume, containing new stories by some of the very best in the field, as well as authors who have never been associated with science fiction before. Thus, Redshift sports original fiction by Gene Wolfe, Joe Haldeman, Gregory Benford, Nina Kiriki Hoffman, Larry Niven, Michael Moorcock, Ursula K. LeGuin, and Harry Turtledove, just to name a few of the big name genre authors. It also features the very first science fiction tale by Joyce Carol Oates, Rambo creator David Morrell, and previously unpublished author Laura Whitton.
So what’s the verdict? It’s ambitious and challenging. The stories within are fully representative of the scope and range of the genre. Whether it’s the tale of a son dedicated to bring his father back from the brink of death, or Saturday Night at the Surrealist Sporting Club, or even the disturbing story of Billy the Fetus, bad before he was born, the contents of Redshift deliver new and interesting takes on the field. There’s something to appeal to everyone, and something bound to offend or disquiet everyone. For original science fiction that dares to push what few limits remain, Redshift is definitely worth checking out.

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Redgunk Tales by William R. Eakin (Invisible Cities Press, 2001)

Redgunk Tales is subtitled “Apocalypse and Kudzu from Redgunk, Mississippi,” and that’s about as accurate a description of this unusual collection as any. Because where else are you going to find aliens, ghosts, swamp gas, a dime store mummy, a yellow dog with black smelly lips, and four hundred-odd (and I do mean odd!) people,
all in one place?

It’s like someone took your average Southern small town, doped up the inhabitants on pulped William Burroughs and Hunter S Thompson, spiced the result with essence of Weekly World News, and served what was left with a twist of gamma-irradiated lime. Thirteen stories, ten of which have appeared before in publications such as Realms of Fantasy, Science Fiction Age, and Amazing Stories, three of which are brand-new, pull back the curtains and expose the truly irrational and unusual nature of a small Mississippi town home to weirdness and the unexpected.

It’s impossible to read these stories all in one sitting. One at a time, with a day or two to recover in between assaults upon your rational side, that’s the way to take it. Savor them, mull them over, reflect upon the ghost of the last living Druid, condemned to forever mow a certain patch of land. Contemplate the woman who discovers that the perfect man for her is utterly and absolutely alien, and can be kept in a jar. Ponder a dragon conjured out of the subconscious and into the sewers. Meditate upon Orange Decker, abducted by aliens. Ask yourself what the Secret of the Mummy’s Brain is.

Describing the contents of Redgunk Tales is like trying to smell music. Some things can only be experienced, and that’s the case with William Eakin’s particular and peculiar prose, some of which is so lyrical and whimsical as to transcend the normal mode of storytelling. I’d love to hear these stories read out loud, as I suspect they’d adapt themselves to an oral format better than most. While Redgunk Tales isn’t normally the sort of thing I’d gravitate towards, I can certainly recommend it for making me think outside the box.

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Impact Parameter, by Geoffrey A. Landis (Golden Gryphon,

The first collection of Geoffrey Landis’ short stories, Impact Parameter features some of the very best work by the award-winning author. The stories mix keen characterization, hard science, humor, and boundary-defying concepts, demonstrating why Landis has received so much attention for his work. Included is his Hugo-winning “A Walk in the Sun,” in which a man must keep moving or perish on the Moon. There’s the bizarre trip through a black hole, an unusual Sherlock Holmes story, a virtual-reality war, and of course, “What We Really Do Here at NASA.” It’s true; it’s a tough job.
Judging by the contents of this collection, Landis is one of those authors who will define science fiction in the years to come, unafraid to push the envelope and really explore those outer limits. His first novel, Mars Crossing, was excellent, but in these stories, his true range shines brightly. The only drawback is that this book was released by a small press, and may be hard to find.

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Wild Cards: Deuces Down, edited by George R.R. Martin (iBooks, 2005)

After a significant hiatus, the popular Wild Cards series of shared-world anthologies and novels returns, with an all-new collection of tales drawn from the sixty-year history of a world gone mad. In 1946, an alien virus is released over New York City, killing the vast majority of those it infects, and transforming the rest either into hideously deformed beings (Jokers), or super powered people (Aces). However, a third category has long fallen between the cracks: those whose deformities or powers are so mild as to make them near-inconsequential, people known as Deuces. For the first time, they’re getting the spotlight, as some of the authors best associated with the Wild Cards series reveal the cards up their sleeves.
Michael Cassutt tells the untold story of the first men on the mood, John J. Miller looks at a World Series that never was, Walton Simons looks at the great New York blackout of 1977, Melinda M. Snodgrass approaches the subject of a centaur in Hollywood, Daniel Abraham addresses the matter of faith in a world gone insane, Steven Leigh takes us to Ireland for a look at a modern-day leper colony, and Kevin Andrew Murphy asks what happens what you lose the one thing your powers depend upon.
For those who were already fans of the Wild Cards series, this will be a welcome treat, delivering the same complex stories as before (with a more upbeat tone to them!). For newcomers, this is the perfect jumping-on point, as it’s kept relatively free from past continuity, and explains the premise succinctly enough.

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